6 Fine Jewelry Pieces Waiting For You

Quality and beauty form a gleaming partnership in this week’s auction of fine jewelry and gemstones. The 67-lot selection comprises a mix of loose gemstones and jewelry – antique through contemporary – with that unmistakable look of superiority that can only come through astute connoisseurship.

Pendants are among the most versatile of jewelry items. They’re equally at home when suspended from a long, sleek chain or added to a charm bracelet. An irresistible example is this late 1940s 14K yellow gold pendant with four cabochon-cut lapis lazuli stones in a setting that recalls Faberge’s fine work. With a total weight of 6.8 dwt, the pendant is expected to attract a winning bid of $300-$350.

Mid-century 14K yellow gold and cabochon lapis charm pendant, .585 gold, 6.8 dwt total weight, est. $300-$350

 

Another eye-catcher is a 14K yellow gold, diamond and ruby-encrusted lobster slide pendant. The fancy crustacean is fully articulated, a testament to the workmanship that went into its design. Even the antennae are mounted on springs, allowing them to move. There are 12 full-cut diamonds in each claw, 10 full-cut diamonds in the tail section, as well as two full-cut diamonds under the eyes and 12 in the thorax carapace. The cabochon rubies serve as its eyes, and 4 more adorn the antennae. Additionally, there are 48 pave-set diamonds and 34 channel-set rubies. Truly, this is a modern masterpiece that should easily reach or surpass its $825-$925 estimate.

14K yellow gold, diamond and ruby lobster slide pendant, est. $825-$925

 

There’s no mistaking a fine tanzanite, with its blue/violet coloration. Offered in this collection is a 4.02-carat loose tanzanite gemstone that has been certified by a reputable European laboratory. Faceted to show off its rich hues, the stone is the perfect size to set in a ring.

4.02-carat tanzanite stone, 22.75 x 8.54 x 638mm, est. $650-$750

 

This 14K yellow gold brooch and drop-earrings suite, set with pearls and natural sapphires is stunning. The total sapphire is weight is .36 carats, and the AAA Akoya pearls are 5mm in diameter. This ultra-chic offering is estimated at $750-$850.

Ladies 14K yellow gold brooch and drop earring set with Akoya pearls and .36ct natural sapphires, est. $750-$850

 

Simplicity is the keyword defining this pair of gentleman’s mid-century 14K white gold and diamond cufflinks. Each cufflink is styled as a flat oval and accented with a central diamond. Total diamond weight: .14 carats. Quietly elegant and suitable for daywear or evening attire, this pair of cufflinks is expected to attract bids in the $500-$550 range.

Pair of mid-century gentleman’s 14K white gold with diamonds cufflinks, .14ct total weight diamonds, in New York jeweler’s case, est. $500-$550

 

Diamonds will always be a girl’s best friend, especially when set in a 14K gold antique ring of timeless design. This piece fits that description, and features a .80-carat G/VSI diamond. This stunning sparkler is a size 4-3/4 and is estimated at $2,700-$3,000.

Ladies antique 14K yellow gold ring with .80-carat, G/VS1 diamond, size 4-3/4, est. $2,700-$3,000

Expert Tips on Collecting Old Maps

“Geography helps explain man’s relationship to man’s environment, and maps are visualizations of that relationship.” – Steve Kovacs

It’s a daunting task, providing the visualizations of humankind’s relationship to the environment. However, maps have been doing the job, and very well, for centuries. Just ask any map collector.

Steve Kovacs, owner of an online map gallery and Jasper52’s Maps expert, said there’s a lot to discover from map collecting that isn’t immediately obvious to the beginning collector. We spoke with him to gain insights from his 5+ decade study and appreciation of geography and maps.

How is the collectible map market at present?

The map market has largely rebounded from the slowdown experienced by nearly all antique markets following the financial crisis of nearly a decade ago. There is now a robust interest and demand for a range of antique maps, from rare finds to more common maps.

Engraved map of the inhabited part of Virginia, containing the Province of Maryland and part of Pennsylvania, New Jersey, and North Carolina, original first edition hand-color in outline by state, with the title within a fine rococo cartouche, August 1753, by Joshua Fry and Peter Jefferson. Used by French naval and military commanders to plot strategy during the French and Indian War and the American Revolution. One of only four known examples of a first edition. Provenance: personal collection of esteemed French cartographer Jacques-Nicolas Bellin. Sold for $256,250 during the Spring 2017 auction at Arader Galleries. Arader Galleries image

 

How are maps generally categorized or defined? 

The most common categorization is by the geography depicted, of course — such as US maps, Asia maps, maps of Texas, etc. Another way collectors think about maps is by type, such as pocket or folding maps, wall maps, atlases, books with maps, maps of early exploration of a specific region, railroad maps, and so on. Some collectors separately categorize city maps, bird’s-eye views and pictorial maps, which became more common in the early 20th century.

 

What are some specialities with map collecting?

As with many other collectibles, collectors tend to follow their passion and will stamp their individual interest onto their collection. With that said, there are some more commonly followed themes. For some, maps are works of art, especially pre-19th-century maps full of vignettes and allegorical figures. These collectors will collect maps based on aesthetics and perceived artistic value. Many collectors will focus on specific geography that is relevant to them, such as their residence, heritage and so on. Similarly, some collectors will focus on a particular period of time, e.g., pre-18th-century; or a specific map type or theme, such as maps from the US Revolutionary war. Often collectors grow into being generalists, meaning they’ll collect all types of maps.

1848 Mitchell map of Asia with vivid original hand coloring and an inset of Australia. Estimate $135-$150. Jasper52 image

Which features/elements of maps impact value and prompt collector interest?

As with other forms of art and antiques, there isn’t a rigid formula that helps to define value or potential interest. Value is typically a function of uniqueness, desirability, rarity, age, map size, cartographer, artistic impression, which includes coloration; and condition. The first map to capture a specific geography is likely to be more valuable than a later rendering of the same area. There are maps that just generate lots of interest, and thus are more valued by collectors. Age correlates modestly with value, but there are maps from the 1600s that routinely sell for well under the price of some maps from the 1800s. Condition is very important, especially for maps that are more common. Ultimately, value and interest will be driven by collector demand, which in turn is influenced by the elements previously mentioned.

 

Are there particular types of maps that are more available and/or affordable?

Printing and papermaking technological advancements took a huge leap in the 19th century. As a result, map production became less expensive and the supply of post mid-19th century maps became larger. Many maps of this era are very affordable — such as maps by prolific cartographers including Tallis, Colton and Mitchell. However, there are much older maps that are very attractive, cover virtually all geographies and have sufficient supply to warrant lower prices — Belin’s maps from the mid-1700s are examples of this.

Nouvelle Carte du Royaume de Bengale, engraved map of modern Bangladesh and the Ganges delta, by cartographer Jacques-Nicolas Bellin, 1760, is one of 101 maps featured in the Antiquarian Maps of Asia auction to be presented by Jasper52 on Sept. 2. Estimate $50-$60. Jasper52 image

 

What are some of the places to find maps? What factors should people consider when looking to purchase an antique or vintage map?

Antique maps are generally available at auctions, from map-specific dealers and at some antique book dealers, as well as general antique stores, especially in tourist destinations. As one would expect, prices tend to be lower at auctions, where less business overhead needs to be covered by the price. Dealers have acquired knowledge and expertise, which transfers to credibility for serious collectors. Given the importance of reputation in specialty or niche businesses such as antique maps, most places selling or auctioning maps will give the buyer a fair deal. When looking to purchase an antique map, I would suggest focusing on the item itself first – will it fit your collection? – then on value.

 

What is the price range that beginners should expect to pay as they begin their map collection?

The amount of money a collector is willing to spend is a highly personal decision. With that said, a collector can start with excellent maps under $100 and add to his or her collection as maps of interest are available within their given budget. As the collection grows, many collectors gain confidence in their understanding of antique maps and tend to invest in more expensive, rarer maps, often exceeding $1,000 in price. The key is to have fun and enjoy your collection. Finally, I should add that a collector will also need to determine whether they plan to keep their entire collection or will they rotate their maps, selling some off over time.

 

What are some of the condition factors that can impact the collectability of maps?

As noted previously, condition is very important, as with other antiques. Condition statements typically focus on the map itself and less on the margins. Discolorations, foxing (small spots caused by impurities in the paper stock), mold or water stains/spots, toning (yellow/browning of the paper stock), tears/splits, missing portions, and excessive folds are examples of quality defects or poorer condition. As common sense would dictate, the poorer condition is somewhat ‘forgive’ for rare maps, but more-common maps in poorer condition will have a lower value. Finally, there isn’t a universal condition-grading system; rather, most dealers rely on giving an opinion of the map’s condition, although some will also use their own grading system.

Lot of three maps of Russia in Europe, and Russia in Asia, featured in the book The History of Russia containing Russia in Asia: Part of Russia and Independent Tartary: Russia in Europe Showing the Terretorial Acquisitions Since the Time of Peter the Great, by cartographer John Tallis, 1851. Hand-color in outline map is illustrated with six portraits/scenes that include czars. Estimate $225-$250. Jasper52 image

 

How did your interest in maps develop? What do you enjoy most about maps? Is there a map you’ve come across or have within your collection that is considered a favorite?

I was drawn to geography from an early age, as geography helps explain man’s relationship to man’s environment, and maps are visualizations of that relationship. In many ways, maps tell stories. I most enjoy maps representing early explorations, such as early maps of the Americas or Asia. In those days, cartographers felt compelled to use their imagination to make an educated guess of part of the topography pictured… and they tended to get this only partially right. One of the first maps I received was a Christmas present from my wife and shows the area of the world that my family comes from. Of course, that one won’t be for sale!

About the Expert:

Steve Kovacs has been passionate about geography and maps for five decades. His interest has taken him from studying and collecting maps to opening a boutique online map gallery. He also enjoys putting his knowledge of maps to use for his global travels – he’s visited 55 countries so far. He also has a background in science, engineering, and business. He is a member of the International Map Collectors’ Society and serves as the expert curating Map auctions for Jasper52.

Invite Modern Masters Into Your Home

Ask any interior designer the most affordable way to add color and style to your home, and you might hear the reply, “Modern art prints.” A blank wall is a clean slate, waiting for you to add your own personality through prints and works on paper by modern masters. You can start or add to your collection of prints by bidding in this week’s curated auction, which is filled with wonderful works by Roy Lichtenstein, Jasper Johns, Pablo Picasso, Alexander Calder and other greats of the modern era.

Thirty-one thoughtfully chosen artworks are included in this selection, which opens with eight prints from Pablo Picasso’s portfolio titled “15 Drawings from the Pantheon 1946.” From an Albert Carmen/Pantheon limited edition of 500, the portfolio’s lithographs were printed on Arches paper with Pochoir hand coloring. They include: Man with Pipe, Minotaur, Four Ballet Dancers, Two Nudes, and four others.

One of eight Pablo Picasso lithographs from the portfolio Fifteen Drawings from the Pantheon 1946, est. $1,500-$2,000

 

The sensational pop art vision of Roy Lichtenstein comes to life in a 1966 triptych titled As I Opened Fire. Composed of three lithos in Lichtenstein’s trademark primary-color, comic-book style, the triptych tells a brief story about a fighter plane in action. Part of the rare Lifetime Edition published by the Stedelijk Museum, Amsterdam, this print is estimated between $600-$800.

Roy Lichtenstein triptych As I Opened Fire, 1966, each of the three measuring 641 x 530mm, part of the rare Lifetime Edition published by the Stedelijk Museum, Amsterdam, est. $600-$800

 

Souvenir d’Oceanie is the title of an Henri Matisse color lithograph artist-signed in the plate and printed under his supervision at the Mourlot Studio, Paris, in 1954. The lithograph plates were erased after the edition was published. The edition was issued by Teriade for Verve, Paris, in 1958, and is offered with a $400-$600 estimate.

Henri Matisse (French, 1869-1954), Souvenir d’Oceanie, lithograph created 1954, issued by Teriade for Verve, Paris, 1958, 260 x 356mm, est. $400-$600

 

Subtle pastels combine in Kikuo Saito’s square mixed-media print titled Tin Garden. Saito began his career as a studio assistant for some of the most prominent painters of the 1970s/80s, including Larry Poons, Kenneth Noland, and Helen Frankenthaler, and later developed his own calligraphic style. Tin Garden, published in 1981 by John Szoke, New York, is numbered 10 of an edition of 35. The artist pencil-signed the print at the lower right.

Kikuo Saito (Japanese), Tin Garden, 1981, mixed media/paper, 10/35, pencil signature at lower right, est. $800-$1,000

 

Representative of another genre altogether, Mel Ramos’ lithograph The Nile Queen, is from an edition of 199 and depicts a seductive woman in an emerald-green swimsuit against a background of Ancient Egyptian imagery. A former college art professor, Mel Ramos is best known for his paintings of superheroes and female nudes, which often incorporate elements of realist and abstract art.

Mel Ramos (American, b. 1935-), The Nile Queen, edition of 199, printed in 2000, 28 x 25in, pencil-signed by artist at lower right, est. $800-$900

5 Midwestern Companies That Changed the Art Pottery Game

American art pottery’s “golden era” started in the late 1880s and ran through the late 1920s. Today, decorative pottery from that period is highly sought after by collectors.

The movement began in Ohio and quickly spread across the country, spurred by a burgeoning middle class. In a matter of two decades, what had started as a “handmade” industry grew into a mechanized one and ultimately a big industry of national importance.

Ohio boasts the “big three” of american art potteries, which we profile below along with two additional Midwest potteries of importance. Remarkably, two of these potteries are still in operation, more than century after they were founded.

The best of what was produced during the golden era is now priced beyond reach of casual collectors, but production of less-expensive lines was substantial, so there’s plenty of choice for the budget-minded collector, too.

Let’s take a look at five Midwestern pottery companies whose wares are collector favorites.

Rookwood Pottery

Native Americans were often depicted on Rookwood Standard glaze vases. This 13-inch vase dated 1900 was decorated by Grace Young, who also taught portraiture at the Cincinnati Art Academy. This rare vase sold for $29,000 plus the buyer’s premium in November 2013. Image courtesy of LiveAuctioneers archive and Humler & Nolan

Rookwood Pottery Co., is considered by many to be the Cadillac of American art pottery. Maria Longworth Nichols Storer, a daughter of a prominent Cincinnati family, founded the company in 1879. She hired skilled ceramic workers and top decorators who developed many lines of superior art pottery.

Standard, one of Rookwood’s early lines, was often imitated by competitors. It was a brown ware decorated with underglaze slip-painted nature studies, animals and portraits.

Rookwood also produced pottery in the Japonism trend, after Storer invited Japanese artist Kitaro Shirayamadani to come to Cincinnati in 1887 to work for the company.

In 1894, Rookwood introduced three glazes, Iris, a clear colorless glaze; Sea Green, clear with a green tint; and Aerial Blue, clear with a blue tint. The latter glaze was produced for just one year, but Vellum and Sea Green glazes were used for more than a decade.

Vellum, introduced in 1904, presented a matte surface but through which could be seen the slightly frosted-appearing decoration beneath. It was widely used on scenic plaques, which were framed.

Many of the early artware lines were signed by the artist.

Soon after the turn of the 20th century, Rookwood began manufacturing production pieces that relied mainly on molded designs and forms rather than freehand decoration.

In 1902, Rookwood expanded into architectural pottery. Under the direction of William Watts Taylor, this division rapidly gained national and international acclaim. Rookwood tiles were used to create fireplace surrounds in many homes, and on a grander scale, were used in mansions, hotels and public places.

Following a prosperous decade in the 1920s, the company was hit hard by the Great Depression. Art pottery became a low priority for consumers, and architects could no longer afford Rookwood tiles. Rookwood filed for bankruptcy in 1941 and struggled through ownership changes. Herschede Clock Co., purchased Rookwood n 1959 and moved production to Starkville, Mississippi. Production ceased there in 1967.

A physician and Rookwood collector in Michigan owned the company’s assets for many years. In 2006, new ownership revived the company in Cincinnati. Since then it has been producing ceramic pieces, including architectural tile, using Rookwood’s original designs. Some of the pieces are identical, using molds and formulas from the company’s archives; others are new works. Like old Rookwood pottery, all pieces are marked and dated.

 

Weller Pottery

Frenchman Jacques Sicard developed a metallic glaze at Weller Pottery, which led to the short-lived Sicard line. This 32-inch-tall sand jar, possibly from the Weller Theater in Zanesville, Ohio, sold for $14,000 plus buyer’s premium in October 2011. Image courtesy of LiveAuctioneers archive and Rago Arts and Auction Center.

Weller Pottery had a humble beginning, starting out in 1872 in a small cabin with a single beehive kiln in Fultonham, Ohio. In 1882, founder Samuel Augustus Weller (1851-1925) moved the operation to Zanesville, where he recruited many of the foremost names in the business.

Having seen William Long’s Lonhuda ware at the 1893 Chicago World’s Fair, Weller hired Lonhuda to produce faience-glazed pottery. When Long left after less than a year, Weller renamed the tin-glazed pottery line Louwelsa after his young daughter Louisa. It was made in at least 500 different shapes until 1924.

Weller expanded the company’s art pottery offerings around the turn of the century. From 1895-1904, Charles Babcock Upjohn was Weller’s head designer. He developed many fine artware lines, including Dickens Ware, Eocean and Aurelian.

One of the most famous lines was Dickens Ware II, introduced in 1900. The pieces were sgraffito-decorated with animals, golfers, monks, Indians and scenes from Charles Dickens novels on backgrounds that had characteristically caramel shading to turquoise matte.

In 1903 and 1904, Frederick H. Rhead worked at Weller pottery, developing a Japanese-influenced line whose pieces were decorated with Geisha girls, landscapes and birds. Rhead employed a unique look by applying heavy “slip” through the tiny nozzle of a squeeze bag.

From 1902-1907, Jacques Sicard joined Weller pottery and developed a metallic glaze. Teh Sicardo line went into production in the fall of 1903, but the process was difficult, and only about 30% of the finished pots were marketable. The pottery had a metallic luster in tones of rose, blue, green, or purple, with flowing Art Nouveau patterns developed within the glaze.

A desirable later line was named Hudson, first made in the early 1920s. A semi-matte-glaze ware line, it was beautifully decorated on shaded backgrounds with florals, animals, birds and scenics. Hudson pieces are often signed by the decorators.

Weller discontinued costly artware lines in the 1920s in favor of mass-produced commercial wares. The Great Depression brought a steady decline in sales and by 1948 the pottery was closed.

 

Roseville Pottery

Roseville Della Robbia vase, circa 1905, with Rozane Ware seal and artist’s initials ‘AB,’ 8 1/4 in. x 7 1/4 in. There is no typical Della Robbia pattern, only variations on Frederick H. Rhead’s basic concept. This vase sold for $16,000 plus the buyer’s premium in March 2014. Image courtesy of LiveAuctioneers archive and Rago Arts and Auction Center.

The Roseville Pottery Co. was incorporated in Roseville, Ohio in 1892 with George F. Young as general manager. Buoyed by the success of early utilitarian wares, the company expanded to a new plant in nearby Zanesville. By 1900, Young had controlling interest in the company and had his sights set on entering the highly competitive art pottery market. He hired an artistic designer, Ross C Purdy, who created Rozane, the company’s first art pottery line. It featured dark blended backgrounds with slip-painted underglaze artwork, similar to Rookwood’s Standard glaze.

Roseville’s Rozane Mongol, a high-gloss oxblood red line, won first prize at the 1904 St. Louis World’s Fair.

Frederick H. Rhead left Weller Pottery to become art director of Roseville Pottery from 1904 to 1909. He created Roseville’s Della Robbia and Olympic lines and designed or oversaw the Juvenile, Mostique and Pauleo lines. His brother, Harry Rhead, took over as artistic director in 1908 and, in 1915, introduced the popular Donatello line.

Handcrafting had virtually ceased at Roseville by 1908, replaced by mass-production methods.

Frank Ferrell, who was a leading decorator at Weller in the early 1900s, was Roseville’s artistic director from 1917 until 1954. He created many of the company’s most popular lines including Pine Cone, Futura, Falline and Sunflower.

Company sales declined in the postwar era as inexpensive Japanese imports flooded the American market. Also, consumer tastes had changed, and Roseville’s mainstay floral designs started to look old-fashioned as a more modern aesthetic emerged. The company went out of business in 1954, selling the facilities to the Mosaic Tile Co.

 

Pewabic Pottery

Pewabic Pottery molten-glaze vase, 15 in. x 9 in., with impressed Pewabic Detrioit mark. The congregation of the First Unitarian Universalist Church in inner-city Detroit was surprised when their unpretentious piece sold for $15,000 plus the buyer’s premium in May 2016. Image courtesy of LiveAuctioneers archive and DuMouchelles

Pewabic Pottery may be one of the best-kept secrets in the pottery industry – and the studio is still in operation in Detroit. Mary Chase Perry Stratton (1867-1961) and her neighbor and business parter Horace James Caulkins (1850-1932) formally opened the pottery in a Tudor revival-style building on East Jefferson Avenue in 1907.

Perry named the pottery “Poewabic,” said to be derivative of the Ojibwa, or Chippewa, word wabic, which means metal, or bewabic, which means iron or steel. It specifically refers to the Pewabic copper mine in her hometown of Hancock in Michigan’s Upper Peninsula.

Some of the early artware was glazed a simple matte green. Occasionally other colors were added, sometimes in combination to render a drip effect. Later, Perry developed a lustrous crystalline glaze. The body of the ware was highly fired and extremely hard. Shapes were basic, and decorative modeling was in low relief.

While never a big operation, Pewabic Pottery became a major name in the Arts and Crafts movement. Under Mary Stratton’s artistic leadership, Pewabic Pottery employees created lamps, vessels and architectural tiles.

The Griswold Hotel in Detroit ordered one of the first tile commissions, and orders from around the country followed. Pewabic tiles grace notable buildings such as the Shedd Aquarium in Chicago and the Basilica of the National Shrine of the Immaculate Conception in Washington, D.C.

After years of experimenting, in 1909 Stratton discovered an iridescent glaze that established Pewabic as one of the most innovative potteries of its time.

Mary Stratton remained active at Pewabic until her death at age 94. The company continued to operate for five years after her death under the direction of Caulkins’ widow, a former assistant and silent partner.

The private, nonprofit Pewabic Society Inc. was established in 1979. The building and its contents were designated a National Historic Landmark in 1991. Today, Pewabic is Michigan’s only historic pottery.

 

Teco

Matte-green glaze, the color of money, is a favorite shade among Arts and Crafts collectors. Couple it with the organically modeled design by Harold Hals and this 13 1/4-inch Teco brand vase becomes a classic. It sold at auction for $25,000 plus buyer’s premium in February 2013. Image courtesy of LiveAuctioneers archive and Clars Auction Gallery

The American Terra Cotta Tile and Ceramic Co., is famous for Teco artware, another favorite among Arts and Crafts Moment devotees. Founded by William Day Gates in 1881 as Spring Valley Tile Works, it became the country’s first manufacturer of architectural terra cotta. Production at the plant in McHenry County plant outside Chicago consisted of drain tile, brick, chimney tops, finials, urns and other fireproof building materials.

Gates used the facilities to experiment with clays and glazes in an effort to design a line of art pottery which led to the introduction of Teco Pottery (TErra COtta) in 1899.

The smooth, micro-crystalline, matte “Teco green” glaze of Teco Art Pottery was developed independently and was not an attempt to copy the famous Grueby green of the Grueby Pottery Co., in Boston.

Teco pottery emphasized line and color rather than elaborate decoration. While most of the 500 shapes created by 1911 were the product of Gates’ efforts, many of the remaining Teco designs were the work of several Chicago architects who were involved in the Prairie School style as expressed by Frank Lloyd Wright. Teco pottery became closely linked with this style, which emphasized simplicity of design and discipline in the use of ornament.

A victim of the Great Depression, Teco production ceased a short time after the stock market crash of 1929.

 

 

5 Original Works by Wonderful Artists

Ready-to-hang original works by listed artists of the 19th and 20th centuries are featured in this curated collection of paintings and drawings. Nearly 50 oil paintings, watercolors, and pastels will be available to the highest bidders. Below we highlight 5 of the most outstanding pieces in this auction.

Prominent New York artist Gustav Burkhard gets the auction off to a bold and colorful start with a large pastel on paper nude study from the estate of a private collector in Denver. This Abstract Expressionist’s works are in the permanent collections of major museums in the U.S. and abroad.

Hans Gustav Burkhard (Swiss-American, 1904-1994), ‘Nude Study,’ 1975, pastel on paper, image size 24 in. x 18 in. Estimate: $1,000-$1,500. Jasper52 image

 

Carrying the highest estimate in the sale at $2,500-$3,500 is an oil-on-canvas painting depicting a theatrical rehearsal of Othello by Abraham Solomon.

Abraham Solomon, work depicts a theatrical rehearsal of ‘Othello,’ oil on canvas, inscribed ‘A. Solomon Esquire’ on stretcher, 12 in x 14 in. in the frame. Estimate: $2,500-$3,500. Jasper52 image

 

A beautiful 19th-century Mexican school portrait of a young girl is impressive in its 45×35-inch frame.

‘Portrait of a Young Girl,’ Mexican School, oil on canvas, 19th century, 35 1/4 in. x 25 1/4 in. canvas, 45 in. x. 35 in. framed. Estimate: $1,200-$1,800. Jasper52 image

 

John Fleming Gould (American, 1906-1996) contributes a dramatic Illustration for story in Delineator Magazine, 1932, which pictures a young man and woman in a classroom.

John Fleming Gould (American 1906-1996), ‘Illustration for story in Delineator Magazine, 1932,’ mixed media on paper, signed and dated, 15 1/4 in. x 15 3/4 in. image, 23 in. x 23 1/4 in. framed. Estimate: $600-$900. Jasper52 image

 

Los Angeles artist Laddie John Dill (b. 1943) is represented by an untitled oil paint, cement, wash and monotype and multiple on hand-crafted paper. His work is owned by many private collectors and is included in the permanent collections of more than 25 museums. Using natural pigments, he incorporates in his work a wide range of colors from brick reds derived from iron oxide, coal blacks from black sulphur, yellows and naturally minded cobalt blues. Combinations of these natural pigments create a variety of brilliant but still “organic” colors.

Laddie John Dill, Untitled, oil paint cement, wash and monotype multiple on hand crafted paper, signed and dated lower right as well as on verso, 23 in. x 30 in. framed. Provenance: Los Angeles County Museum of Art. Estimate: $1,000-$1,500. Jasper52 image

 

Take a look at the full catalog of 19th & 20th Century Paintings & Drawings by wonderful artists.

A Double Exposure to Japanese Woodblock Prints

Art lovers will enjoy this double dose of beautiful Japanese images in this week’s Exclusive Japanese Woodblock Prints auction, presented in two sessions. The opening session consists of 58 premium-quality Japanese woodblock prints, both vintage originals and contemporary productions; while the following sale features excellent prints at a more affordable price point.

The auction opens with a View of Miho Bay by the renowned Ando Hiroshige in the form of a fan. The impression is from the original first edition created in 1845-46. Ando Hiroshige was a ukiyo-e artist, considered the last great master of that great master of the genre of Japanese art, which flourished from the 17th through 19th centuries. He is famous for his landscapes.

Ando Hiroshige, ‘View of Miho Bay,’ original 1845-46 edition, rare fan print. Estimate: $1,300-$1,400. Jasper52 image

 

Hasui Kawase (1883-1957) was a Japanese artist and printmaker who became a prominent figure in the shin-hanga (“new prints”) movement of the early 20th century. This movement was influenced by European Impressionism, and its imagery focused on landscapes, women and nature. His Dusk at Ushibori is an excellent example. This first edition, numbered 189/300, was published in 1930 by Sakai & Kawaguchi.

Kawase Hasui, ‘Dusk at Ushibori,’ Sakai & Kawaguchi, 1930 (first, limited edition, 189/300), oban tate-e (approx. 15 x 10 in.). Estimate: $4,200-$4,500. Jasper52 image

 

Takehisa Yumeiji became famous for his paintings, prints and books expressing the particular feeling of the Taisho democracy (1912-1926) and Taisho romanticism. Next to classical depictions of young women wearing kimonos, his subjects are also depicted as a type of “modern” girl (moga) dressed in western clothes. The influence of the Art Deco style, which found its way to Japan in 1920s, is also noticeable in Yumeiji’s work. Due to the artist’s death at the age of 49, much of his work was published posthumously, as is the case of the print in this collection. Kuroi neko (Black cat) is a limited edition numbered 69/150, which was published by Kato Junki in the 1950s.

Takehisa Yumeiji, ‘Black cat (‘kuroi neko’), Kato Junji, limited edition, 69/150, 1950s, dai oban (approx. 17 x 12 inches). Estimate: $1,900-$2,000. Jasper52 image

 

Contemporary examples of Japanese woodblock prints in the auction include a limited-edition work by Daniel Kelly, an American based in Kyoto, Japan. His pencil-signed and dated 2009 print Camellia is numbered 69/90.

Daniel Kelly (American, b. 1947), ‘Camellia,’ limited edition, 66/90, pencil signed and dated 2009, 40 1/2 x 37 in. Estimate: $3,200-$3,500. Jasper52 image

 

The second session features excellent-quality Japanese woodblock prints at attractive price points. A standout in the second collection is Katsuhira Tokushi’s woodblock print titled Kamado (Cooking Stove), which depicts the interior of a Japanese dwelling. This 1939 print from Tokushi’s Customs of Akita series was self-published by the artist.

Katsuhira Tokushi, ‘Kamado’ (Cooking Stove), Customs of Akita series, 1939, self-published by the artist. Size: Oban. approximately 16 x 11 1/2 in. Estimate: $900-$1,000. Jasper52 image

 

Ikeda Eisen (1970-1848) was a Japanese ukiyo-e artist who specialized in bijn-ga (pictures of beautiful women). His woodblock print titled Geisha of the Eastern Capital is a prime example. It is from the original edition done in 1825 by Sano-ki and comes from the Huguette Berés collection, Paris.

Ikeda Eisen, ‘Geisha of the Eastern Capital,’ Sano-ki. Size: oban (approx. 15 x 10 inches), from the original edition of circa 1825. Estimate: $4,000-$4,500. Jasper52 image

 

Take a look at the fully illustrated catalogs and enjoy the two auctions.

Many Avenues to Travel Via Vintage Posters

Posters are all about visual appeal. Just ask any American male who, as a teenager, hung a Farrah Fawcett poster in his room in the 1970s. But collectible posters go far beyond the popular pinups of the day. Travel, movies, patriotism, even everyday products are among the themes that end up in best-selling posters.

Advances in printing, namely color lithography, lifted the plain placard to the visually striking color poster that quickly became an art form in the late 19th century. Posters were an effective and economical means of mass communication, especially before World War II.

The great revolution in posters came about as the result of the development of printing techniques that allowed for cheap mass production. Chromolithography made possible the printing of large editions of posters illustrated in vibrant colors.

Europeans pioneered posters with high artistic content. While artists Jules Chéret and Alphonse Mucha applied their talents to French posters that advertised cabarets, theatrical performances and consumer products, American illustrators created colorful posters for alcoholic beverages, tobacco, firearms, farm machinery and traveling shows. Posters of the late 19th and early 20th centuries represent the best in American lithography.

Posters were purely ephemeral and were not meant to be saved. They were usually discarded once they had served their purpose. Those posted outdoors were usually destroyed by the elements.

Despite competition from newer modes of promotion, the popularity of poster art continued well into the 20th century.

“The good thing about posters is that they are affordable and you do not have to outlay a particularly large sum to put together an interesting collection,” notes Patrick Bogue of Onslow Auctions. “Whilst some of the more sought-after designs sell for over £5,000 ($6,500), you can buy worthwhile examples for around £1,000 ($1,300) or much less in some cases.

Collectors of this art form soon find a need to tighten the focus of their efforts, for example by style, artist or theme. Where to start? It’s the summer travel season. Why not begin with a favorite destination with vintage travel posters, or sample any of the following five recommendations:

Travel

‘Summer at Miho Peninsula’ was issued by Japan’s Nagoya Rail Agency during the 1930s. These posters were created for domestic use only to promote travel within Japan. It measures 23 1/2 x 34 1/2 inches. Price realized: $4,182. Heritage Auctions image

Railroads and passenger ship lines relied heavily on travel posters. Such posters typically depict their particular mode of transportation, from sleek ocean liners cutting across calm seas to locomotives steaming through picturesque landscapes. Later posters depicted passenger airplanes soaring over mountains, however, early airline posters from the 1930s are probably the most difficult to find of all travel posters, according to Bogue. Travel posters can also picture exotic and exciting destinations, intended to beckon would-be vacationers to get away on a memorable holiday.

 

Movie

The only known surviving Italian-issue movie poster for the film ‘Casablanca’ sold July 29, 2017 for a record $478,000 at Heritage Auctions in Dallas, Texas. Measuring a massive 55 1/2 by 78 1/4 inches, the 1946 poster matched the then-existing world record for the most valuable movie poster ever sold at public auction. Heritage Auctions image

Movie posters are Heritage Auctions’ most popular specialty within the overall category of collectible posters, says Grey Smith, director of Vintage Poster Auctions at the Dallas-based company. “The price levels for the more rare classic material are rising, as it has become harder to find and the demand for those titles has not decreased,” he said. Posters from classic horror movies are especially desirable.

An option for the younger, novice collector is buying posters of more recent movies. “The top-selling posters from the last 40 years are without a doubt Star Wars. Though the posters aren’t necessarily rare in many instances, the demand is great,” said Smith. “But bear in mind that the more recent posters – from the last 50 years – will, relatively speaking, be more common, as that’s when the hobby of collecting posters began. Since that advent, more posters are printed and more kept.”

 

World Wars

At the peak of his career, James Montgomery Flagg was the highest-paid magazine illustrator in America, and this iconic WWI recruitment poster for the U.S. Army was perhaps his crowning achievement. Printed by the Leslie-Judge Co. in 1917, the poster measures 30 x 40 1/2 inches. Heritage Auctions sold one for $10,157. Image courtesy of Wikimedia Commons.

American illustrator James Montgomery Flagg (1877-1960) created his famous poster of Uncle Sam pointing at the viewer with the caption “I Want YOU for U.S. Army” in 1917 as the United States entered World War I. It was inspired by a 1914 British recruitment poster showing Lord Herbert Kitchner in a similar pose. In 2014, Onslows sold the 1914 “Britons (Lord Kitchener) Wants You” poster for £27,000 ($34,715), a record for a WWII poster.

Numerous recruiting posters followed. Also, various appeals were made through posters during the war years, from solicitations to buy war bonds to warnings issued against careless, unguarded talk, e.g., “Loose Lips Sink Ships.” Over four million copies of Flagg’s Uncle Sam poster were printed during World War I. It was revived for World War II. In 2014, Onslows sold a poster with the now-ubiquitous slogan “Keep Calm and Carry On” for £18,240 ($23,450), a record for a WWII poster.

Smith from Heritage Auctions observes, however, that “material from WWII on has become more common as more comes onto the market, and the demand has diminished.”

 

Products

A ‘Guinness for Strength (Felling Tree)’ original poster by John Gilroy (1898-1995) and printed by John Waddington circa 1955, 30.4 x 20.4 inches, sold for $475 in July 2016. Onslows Auctioneers image

Long-established global brands such as Guinness, Evian and Heinz are favored titles among vintage poster collectors, especially when the posters are early, stylized designs. Popular early 20th-century posters for French chocolates, liqueurs, even bicycles, included images of lovely young women, while posters of the Art Deco period increasingly depicted the subject against a plain, uncluttered background.

 

Events

‘Monaco Grand Prix, April 17, 1932’ by Robert Falcucci (1900-1989), 29 7/8 x 46 inches sold for more than $20,000 in May 2011. Image courtesy of LiveAuctioneers archive and Poster Auctions International

Arguably the broadest poster category is that which advertises an event. Titles range from Wild West shows in America to Grand Prix races in Europe. World’s Fairs and Olympic Games are other subcategories that appeal to collectors, as are psychedelic rock concert posters of the 1960s.

No matter the category, Grey Smith of Heritage Auctions offers this advice: “Start by buying items you like and that seem to have a good demand, as those will usually retain their value. Buy widely by studying the track record of poster auctions. You do not need to spend a lot of money in your initial purchases to make good buys as there is a lot of material in the market now and good prices can be had.”

An Ark Full of Americana Gems

Americana and folk art go hand-in-hand in this week’s curated Americana auction, much like the pairs of animals in a circa-1850 Noah’s Ark play set.

The finely made set, one of the few toys many children knew in the 19th century, consists of the 15 1/2-inch-long ark, seven members of Noah’s family, eight pairs of animals, 17 single animals, 18 pairs of birds and 10 single birds; a total of 86 figures. The figures are top-quality and retain their original colors. Other than having some small repairs, the set is in excellent condition. It is expected to sell for $2,200-$2,500.

Noah’s Ark set, circa 1850, total of 86 figures. The ark on its stand is 15 1/5 in. long x 10 in high. long. Estimate: $2,200-$2,500. Jasper52 image

 

Several gaming wheels are included in this sale. A rather curious example is a spinner arrow on a board with the names of automobile models. It appears to date to the 1940s. This whimsical game has a $500-$600 estimate.

Game board with car names – some abbreviated, from the 1940s – Nash, Cad’c, Bui’k, Pack, Chevy, 23 in. x 23 in. x 2.5 in . Estimate: $500-$600. Jasper52 image

 

Also having an automotive theme is a wooden whirligig that depicts an early motorist cranking to start his tin lizzie. The whirligig, in old weathered paint, has an estimate of $200-$300.

Whirligig, circa 1920, 18 1/4 in. high (on museum stand) x 20 in. wide x 15 in. deep. Estimate: $200-$300. Jasper52 image

 

A half dozen handmade generic signs are offered, with messages ranging from “fresh eggs” to possibly noting the location of a men’s room.

‘Gents’ sign, incised letters on thick board with good surface & original carefully worked hangers, Boston, 7 in high x 31 in. h x 31 w x 1 3/4 d c 1940s. Estimate: $300-$400. Jasper52 image

 

Several fine examples of chip-carved tramp art are in the catalog, topped by a large frame with mirror, which is adorned with carved stars and maple leaves. It dates to the turn of the last century and is valued at $700-$900.

Tramp art mirror with carved stars and leaves, circa 1900, 25 in. x 28.5 in. x 3 in. Estimate: $700-$900. Jasper52 image

 

For the fireplace, two cast brass andirons, each in the form of a lighthouse, have a mellow-colored oxidized patina.

Vintage cast brass lighthouse andirons, 13 1/2 in. high x 12 in. deep. Estimate: $600-$700. Jasper52 image

 

Check out the full catalog of Americana items and find your next treasure. 

Broaden Your Horizons in This Book Auction

Art, architecture, design and history come together in this week’s comprehensive book auction. The curated collection of books visually and textually spans various artistic periods, historic endeavors, iconic memoirs and cultural wonders. No matter your interest, you will uncover an invaluable story to broaden your horizons. Take a look at a few highlights from this curated sale.

One of the oldest and most valuable books in the auction is a hardbound volume of papers by 17th-century British philosopher John Locke relating to money, interest and trade. The book is the first collected edition of Locke’s most important economic papers, which was published in 1696. It is estimated at $8,000-$10,000.

‘Several Papers Relating to Money, Interest and Trade … ’ by John Locke. First Collected Edition of Locke’s most important economic papers. London: Printed for A. and J. Churchill, at the Black-Swan in Pater-Noster-Row, 1696. Estimate: $8,000-$10,000. Jasper52 image

 

Another Renaissance man of the 17th century was Sir Andrew Balfour, whose first edition Letters Written [sic] to a Friend… Containing Excellent Directions and Advices for Travelling thro’ France and Italy is highly prized. Published posthumously in 1700 by the author’s son from his father’s original manuscript letters, the book has firsthand advice on what to see and do in England, France and Italy, with special attention to buying natural history books. The first edition, first state volume offered in this auction is estimated at $1,000-$1,2000.

‘Letters Writen [sic] to a Friend … Containing Excellent Directions and Advices for Travelling thro’ France and Italy … ’ by Sir Andrew Balfour, first edition, first state, Edinburgh, MDCC [1700]. Estimate: $1,000-$1,200. Jasper52 image

Sportsmen can relive the time of the great French Hunts of the early 20th century in Baron Karl Reille’s famous book La Vénerie Française Contemporaine. This profusely illustrated book, with its text drawings and music scores, numerous full-page color plates, is filled with anecdotes and, often amusing, comments. This important work presents all the hunts existing in France at the time, with each hunt illustrated by the author. It has a $4,000-$4,500 estimate.

‘La Vénerie Française Contemporaine’ by Baron Karl Reille, 1914: Adolph de Goupy, Paris. Famous early 20th century book about hunting in France, profusely illustrated. Estimate: $4,000-$4,500. Jasper52 image

 

Also from France is a first edition of The Decisive Moment: Photography by Henri Cartier Bresson, published in English by Simon and Schuster in 1952. The book, which features a cover illustration by Henri Matisse, contains 126 photographs by the pioneer of street photography. With losses to the surface of the book’s spine, it is estimated at $300-$400.

‘The Decisive Moment: Photography by Henri Cartier Bresson,’ first edition, 1952: Simon and Schuster & Verve Publication. Estimate: $300-$400. Jasper52 image

 

The most recent book in the sale is a first edition of Carlos Diniz’s Views of Venice II, which was published in 2000. The volume is illustrated with 10 full-page color reproductions of his paintings of Venice, and one large foldout plate, which is also in color. Carlos Diniz (1928-2001) is recognized as one of the most important practitioners of architectural illustration in the 20th century. He is known for his work with many Pritzker, Gold Medal and pioneering architects of the 20th century.

‘Views of Venice II,’ by Carlos Diniz, first edition, 2000, Santa Barbara, Calif., illustrated with 10 full-page color reproductions of Diniz’s paintings of Venice, and one large foldout plate also in color. Estimate: $200-$300. Jasper52 image

 

Moving to America, a scarce special edition of The Oregon Trail: Sketches of Prairie And Rocky-mountain Life by Francis Parkman is prized for its Frederick Remington illustrations. The remarkably clean example in the auction features the beautiful blue, red, black and gilt decorative design on cover cloth and gilt design on spine. It carries a $500-$600 estimate.

The Oregon Trail, Sketches Of Prairie And Rocky-mountain Life’ by Francis Parkman, first editon of the Frederick Remington-illustrated special edition. Little, Brown and Co. Estimate: $500-$600. Jasper52 image

Children’s Books: Investing in Nostalgia

Do you remember the books you loved as a child? It’s a solid bet that at least a couple of your childhood favorites are also the favorites of collectors, and with good reason. We can all relate to the experience of having books read to us at bedtime, and later, taking pride in learning how to read those books ourselves.

Baum, L. Frank, The Wonderful Wizard of Oz, first edition, first state of the text and first state of the plates, octavo, Geo. M. Hill Co., Chicago and New York, 1900. Green morocco slipcase. Auctioned Dec. 16, 2009 for $53,100. LiveAuctioneers / Profiles in History image

We spoke with two experts in the field of collectible books: Helen Younger, founder of Aleph-Bet Books, Inc., and Catherine Payling, MBE, director of Waverly Rare Books, a subsidiary of Quinn’s Auction Galleries, to get their take on the children’s book market. In speaking with them, we learned that juvenile literature is a solid niche within the greater realm of book collecting and has been so for quite some time.

As Payling observed, the market “has been relatively stable during and after recent economic upheavals and broader changes in patterns of collecting.”

Echoing those sentiments, Younger, who has been in the collectible book business since 1977, pointed to the availability and affordability of children’s books as reasons for the continued interest among collectors.

“In the world of collectible books, children’s books, in general, are not among the most expensive – they can be a little more attainable.”

In building a collection of children’s books, keep these points in mind: edition and rarity; condition, desirability, and the potential impact of changing trends.

Lot of three titles signed by Maurice Sendak, illustrated, and authored by Ruth Krauss, “Somebody Else’s Nut Tree And Other Tales From Children,” “A Hole Is to Dig: A First Book of Definitions,” and “Lullabies And Night Songs,” published in 1971, 1952, and 1965, respectively. Sold for $250 at auction June 1, 2017 through Waverly Books. Waverly Books image

For example, Payling said, “If there should be a dust jacket but one isn’t present, then a book without one is [considered] comprised. Is the book signed by the author or the illustrator? Is there interesting provenance?” All are important factors with respect to desirability.

Addressing condition, Younger outlined the standards many reputable dealers use in assessing books:

  • Good: Shows wear, tears, soiling, and perhaps the dust jacket is missing
  • Very Good: The book is in nice condition, although it may show age to some extent. It is clean and presents nicely.
  • Fine: Although it may not look as it did when brand new, it has no defects, it is clean, and nothing is missing.
  • Mint: The book is flawless.

Not only is understanding differences in condition helpful when considering the purchase of a book, it is often the key factor in determining price when selling a book.

For example, as Younger pointed out, Aleph-Bet might list a copy of Dr. Seuss’ The Cat in the Hat with a high price tag, but that might be because it’s a first edition, first printing, in mint condition.

Wells, Carolyn, illustrations by Jessie Wilcox Smith, “Seven Ages of Childhood,” first edition, NY: Moffat Yard 1909, tan gilt cloth, round pictorial paste-on, 56 pages. Cloth slightly darkened on edges from inoffensive cover stain, occasional foxing, VG. $400 through Aleph-Bet Books. Aleph-Bet Books image

As with most collecting interests, experience and time are the best teachers, according to Payling and Younger. Learning how publishers denoted first editions is an important practice, Younger added.

“It truly takes time to learn the aspects of children’s books, and to complicate things further, publishers were not consistent with how they denoted first editions,” she explains. “Some may say ‘first edition,’ some may have a number code or a combination, and some may have the date of publication on the title page and the copyright page, while some may not.”

Payling, who recently purchased a copy of Miskoo the Lucky by Mary Fairclough – one of her favorite books from childhood – recommends the following measures to gain valuable knowledge about children’s books:

  • Acquire some good-quality reference books on your specific area of collecting interest, whether it is by country, century, author and so on, and use them to help make buying decisions.
  • Learn to identify variations in condition.
  • Learn about current market prices from online resources, especially recent auction results, whose price database is free of charge.
  • Check out auction houses and their auction catalogs.

Also, attending book fairs and visiting the shops and sites of businesses specializing in rare and collectible books are all methods for amassing knowledge that will prove helpful in efforts to acquire children’s books, Younger advised.

Beginners may find it advisable to define the focus of their collection.

“Blue-chip authors, such as L. Frank Baum, Dr. Seuss, J.R.R. Tolkien, Lewis Carroll, J.M. Barrie, Maurice Sendak, and Roald Dahl are always sought after,” said Payling. “People are often motivated by childhood memories, so we see buyers looking for children’s titles popular when they were young.” Illustrated books are also highly desirable.

Younger points to children’s books published in the mid-20th century as being the current “sweet spot” in collecting. However, some lesser-known interests are gaining attention.

Milne, A.A., “Winnie the Pooh (And) The House at Pooh Corner,” Russian first edition, NY: Dutton 1967, cloth, 221 pages. Top edge rubbed, otherwise VG+ in frayed dust wrapper with a few mends on verso. $125 through Aleph-Bet Books. Aleph-Bet Books image

“Right now, we’re seeing the popularity of Russian children’s books growing,” she said. Early 20th-century Russian children’s books are distinguished by their consistently high quality of printing, illustration, and presentation. Plus, they reflect the characteristics of an evolving society.

Before the Russian Revolution of 1917, many of the books displayed lush treatment and robust illustration – a “frills and fantasy” presentation – said Younger, who formerly worked as a librarian and fosters a life-long appreciation for books. After the Revolution, children’s books, much like Russian society of that period, were stark, direct, and more focused on being utilitarian.

Another aspect of collecting to bear in mind is changing trends, Payling said. For example, values of Harry Potter books are not as high today as they were at the peak of Potter-mania.

Collecting children’s books can be rewarding, but like any type of book collecting, it requires a time investment. It pays to learn as much as possible, study market activity, and over and above all, to allow one’s own sense of nostalgia to serve as the primary guide to purchases.

About the experts:

Catherine Payling, MBE, M.A. Oxford University, was born and raised in the United Kingdom. She spent 10 years working in prestigious executive roles in London, and 15 years in Rome, Italy, where she served as curator/director of the Keats House Museum. Catherine has resided in the United States since 2011. She was an adjunct professor at Georgetown University in Washington, D.C., and is married to Duncan Wu, the Raymond Wagner Professor of Literary Studies at Georgetown. Catherine has a personal collection of books, and she and her husband are lifelong collectors of fine and decorative art.

Helen Younger co-owns Aleph-Bet Books in Pound Ridge, New York, together with her husband, Marc. Her love of books began when she was a child and continued to grow as she traveled through Europe following her high school graduation. She became a professional librarian and, in the mid-1970s, established a book-selling business upon the suggestion of her mother-in-law, who organized estate sales. Helen has been a member of the Antiquarian Booksellers Association of America since 1982.