Jasper52 to host Ancient Arts Auction, Feb. 16

On Wednesday, February 16, starting at 8 pm Eastern time, Jasper52 will hold an Ancient Arts Auction – 84 lots of treasures from the impossibly distant past. Among the items on offer will be an ancient Greek terracotta pair of winged horses; a painted wood Egyptian sarcophagus lid from the Late Period, dating to circa 664-323 BCE; a circa-300 Roman glass jar with blue decoration; an Egyptian limestone canoptic jar with a baboon-headed lid; a circa-480 BCE Attic pottery red-figure kylix; a Mesopotamian limestone male head; an ancient Egyptian granite figure of the god Horus-Sobek; a circa-3rd century BCE Greek embossed silver finial for a ceremonial chair; the head of a female mummy from Egypt’s New Kingdom, XVIII Dynasty, dating to circa-1550-1069 BCE; a Roman marble head of Aphrodite; a gold Phoenician scarab ring; an Etruscan terracotta star dish; and a Greek Xenon-ware mug, to name just a few.

Pair of Greek terracotta winged horses, est. $24,000-$29,000

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Get ready to play: boutique Vintage Guitars sale set for Feb. 1

Few categories of collectibles are hotter than vintage guitars. Be they electric or acoustic, be they decades old or centuries old, choice examples will always draw a serious, attentive audience, ready and eager to bid. The next buying opportunity geared toward six-string aficionados will take place on Tuesday, February 1, starting at 8 pm Eastern time, when Jasper52 conducts and auction of vintage guitars. It is a tightly curated sale featuring 32 lots.

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Brooches: pin pals since the Bronze Age

David Webb platinum and 18K white gold brooch centered with a 12-carat cabochon-cut emerald, auctioned for $120,000 plus the buyer’s premium in January 2022. Image courtesy of Joshua Kodner and LiveAuctioneers

In the beginning, there was the stick pin, a slender needle of wood or metal that held a heavy cloak or cape in place. As centuries passed and other clothing fasteners became available, the stick pin evolved into a flashier, more decorative object we now call a brooch. But in spite of its elevated position as an object of beauty, it never lost its core functionality. Many brooches can still be used as fabric fasteners, taking on additional rules such as reflecting authority or cultural values, serving as a family keepsake, and even signaling the wearer’s mood.

This collection of Bronze Age stick pins sold for £180 (about $246) plus the buyer’s premium in March 2013. Image courtesy of Timeline Auctions Ltd., and LiveAuctioneers

Brooches date back at least 5,000 years, to the Bronze Age, when people kept their garments in place with bronze or iron clasps. They were most often plain objects, but some were decorated with stones, enamel, bone, polished glass and occasionally gold and silver. Archaeologists named these clasps fibulae because their construction was similar to the shape of the fibula, the smaller bone in the lower leg.

Collection of Iron Age and Roman fibulae, featuring examples with a rounded arch-crossbow design; a Celtic brooch style (with the pin worn up), and a plate with a more intricate design. Auctioned for £200 (about $274) plus the buyer’s premium in February 2020. Image courtesy of Timeline Auctions Ltd., and LiveAuctioneers

Fibulae were classified as having four parts: the body, or plate; the pin, the spring, and the hinge, which works much like the modern safety pin. Although they were more complicated, fibulae were a vast improvement over the ancient stick pin and allowed for more intricate decoration as well. Fibulae designs uncovered by archaeologists include versions that resemble a violin bow, a compact spiral, and also a flat piece shaped in the form of a hand.

The Middle Ages saw the arrival of the button and its crucial counterpart, the buttonhole. This fastening system allowed wearers to close their clothes more firmly and comprehensively. Freed from their baseline function, fibulae began the transformation into the brooch.

‘Cedar Tree’ brooch by French designer Rene Boivin achieved $100,000 plus the buyer’s premium in November 2021. Image courtesy of Grogan & Company and LiveAuctioneers

Up until the Industrial Age, only the most affluent could afford brooches. The must-have accessory of the early 15th century was a cameo brooch featuring the profile of an ancient philosopher, scholar or royal rendered in cornelian shell, sardonyx, mother-of-pearl and even lava rock. The cameo brooch was a fashion accessory that lasted. Both Empress Josephine of France and Queen Victoria of England adored them. 

Late Victorian cameo brooch in 8K rose gold, sold for $100 plus the buyer’s premium in January 2022. Image courtesy of International Auction Gallery and LiveAuctioneers

A second brooch style that lasted the test of time from the 14th century to the Edwardian era and beyond is one that depicts flora and fauna surrounded by a semi-precious stone or many different stones. Ancient Greek or Etruscan imagery was carved into cartouches during the Victorian era, with diamonds playing an important role in their designs. 

After the death of Prince Albert, the mourning brooch gained popularity. They were typically made from onyx or some other black stone and trimmed in gold. Sometimes they contained the hair of a lost loved one. 

Edwardian-era brooch depicting precious and semi-precious stones set to represent colorful flowers in a ‘wicker’ basket, sold for $950 plus the buyer’s premium in December 2021. Image courtesy of MBA Seattle Auction and LiveAuctioneers

Art Nouveau brooch designs reached new creative heights in the hands of French glass master Rene Lalique and American visionary Louis Comfort Tiffany. When Art Deco took its turn in the design spotlight, Louis Cartier produce brooches resembling baskets of fruit in which jewels of  corresponding colors represented apples, oranges and grapes. Another exceptional Art Deco brooch designer, Frenchwoman Suzanne Belperron, produced brooches featuring flora, fauna and insects. 

Rene Lalique frosted glass Deux Figurines Dos a Dos design from 1913, sold for $2,100 plus the buyer’s premium in October 2021. Image courtesy of Heritage Auctions and LiveAuctioneers

By the mid-20th century, impressionist painter Salvador Dali pushed the brooch to new aesthetic heights with distinctive examples such as a gold bas-relief of Tristan and Isolde in red and clear enamel. Alexander Calder and Man Ray contributed brooches that featured highly geometric or abstract styles. Today, top-flight artisans continue to envision their own takes on the time-honored brooch with pieces that seem more like art than jewelry. Even the ancient stick pin has been revived and reimagined. 

Salvador Dali’s ‘Tristan and Isolde’ brooch with a gold bas-relief design and red and clear enamel, sold for $250 plus the buyer’s premium in March 2017. Image courtesy of Omega Auction Corp and LiveAuctioneers

Brooches are, of course, made to be worn. It’s no surprise, then, that many collectors view them as personal statements. One of the most prominent brooch collectors is former U.S. Secretary of State Madeleine Albright. She has amassed more than 200 brooches in a collection that was comprehensive enough to sustain a 2010 exhibit at the Smithsonian Institute titled “Read My Pins: The Madeleine Albright Collection.”

As the top diplomat and usually the only woman in high-level international negotiations, Albright frequently used her brooches to convey messages. In the run-up to the show, she recalled in an interview with Smithsonian Magazine, “I had an arrow pin that looked like a missile, and when we were negotiating the Anti-Ballistic Missile Treaty with the Russians, the Russian foreign minister asked, ‘Is that one of your missile interceptors you’re wearing?’ And I responded, ‘Yes. We make them very small. Let’s negotiate.’”

‘Poissons’ articulated double-fish brooch, designed by Jean Schlumberger for Tiffany & Co., in 1965, sold for $90,000 plus the buyer’s premium in July 2021. Image courtesy of Mark Lawson Antiques, Inc., and LiveAuctioneers

While they haven’t yet enthralled younger generations as they did Secretary Albright and Queen Elizabeth II of England, brooches provide both designers and jewelry fans an excellent canvas for expressing an idea or mood as the perfect finishing touch to an outfit. Albright has said that her choice of brooch broadcasts “… what I’m feeling like on a given day or where I’m going. But mostly it’s fun. It’s just a good way to get started.”

Jan. 27 auction uncovers fine American quilts, textiles

On Thursday, January 27, starting at 6 pm Eastern time, Jasper52 will conduct an auction of Americana: Quilts and Textiles. Its 172 lots have been curated by the unimpeachable Clifford Wallach, an expert in tramp art, folk art and Americana. Selections include an 1850s whig rose quilt with a vine border; Amish quilts, including one with a Baskets of Chips pattern and also a matched pair with a 1932-1933 date; several schoolgirl needlework samplers; hooked rugs; a 1930s quilt with a stunning graphic of a sunburst; an 1860s goose tracks pattern quilt; an 1890s quilt with a drunkard’s path pattern; an 1850s red and green quilt; an 1870s medallion sampler quilt; a 1940s Star of Bethlehem quilt; and a mid-century modern kaleidoscope quilt, among many others.

1850s whig rose quilt, est. $1,500-$2,000

View the auction here.

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Jasper52 presents Unique Tribal Art auction, Jan. 26

On Wednesday, January 26, starting at noon Eastern time, Jasper52 will hold a sale of Unique Tribal Art. The 172 lots include a range of carved and sculpted treasures that originated in Africa, particularly in the region now called the Democratic Republic of the Congo. Among them are Hemba ancestor figures; Fang reliquary figures; a Nyanga people mask; a Luba caryatid stool as well as a Luba musical instrument, known as a thumb piano; a Shi plank mask; and a Bembe initiation mask.

Shi plank mask, est. $900-$1,100

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Collectors Still Burn For Zippo Lighters

A 14K gold Zippo lighter by Tiffany & Co. sold for $950 plus the buyer’s premium in November 2017. Image courtesy of Fortuna Auction and LiveAuctioneers

Click. Thunk. Simply seeing the word “Zippo” is enough to call to mind the sound a Zippo lighter makes when you open and close its sturdy hinged lid it’s that recognizable. 

The lighter rose to prominence by proving it could perform in tough conditions. A gust of wind wasn’t enough to snuff its flame, ensuring that smokers in foxholes, tents, ship decks, battlefields and other stressful settings could keep their cigarettes lit. The company touted its wares as “wind proof” and boldly promised, “It works or we fix it free.” The lighter’s reliability made it a favorite amongst smokers – predominantly men – in the 20th century. For some of them, a Zippo was the closest thing they had to jewelry, especially if they worked at factories or on shop floors where employees were barred from wearing wedding rings and wristwatches, for safety reasons. 

An 18K gold Zippo lighter by Buccellati achieved $2,750 in March 2018. Image courtesy of Alex Cooper and LiveAuctioneers

According to official Zippo company lore, the Zippo came into being after George C. Blaisdell noticed a friend struggling to light up. The scene took place in the early 1930s at the Bradford Country Club in Blaisdell’s hometown of Bradford, Pennsylvania. The friend, whose name is lost to history, was grappling with an Austrian gas lighter made from old cartridge shells. The Zippo history page states Blaisdell observed that it “… worked well, even in the wind, due to the unique chimney, but the appearance and design were utilitarian and inefficient. The lighter required the use of two hands to operate, and its thin metal surface was easily dented.”

Inspired, Blaisdell decided to redesign his friend’s lighter, giving it a sleek, rectangular polished chrome case with a hinged cover that could be flipped open with one hand. He kept the chimney design that made it “wind proof” and dubbed his creation “Zippo,” a derivation of “zipper,” a word he liked because he thought it sounded good when spoken. Blaisdell received a patent for his lighter in 1936, three years after he started selling it for $1.95 a sum that would equate to roughly $40 today.

A circa-1934 Zippo tall case lighter with a telltale soldered exposed hinge sold for $875 plus the buyer’s premium in December 2019. Image courtesy of Milestone Auctions and LiveAuctioneers.com

Blaisdell changed the Zippo design over the next few years, reducing the case by a quarter-inch, adding diagonal lines to give the case an Art Deco look, and soldering the hinge so that the top cover connected to the inside of the case instead of its outside, where it was more vulnerable to damage. Collectors prize these early examples, which are known as “tall case” Zippos, as well as those with cases that sport the outside hinge.

Another transformative event shaped the Zippo in its fledgling years. In the mid-1930s, the Bradford-based Kendall Refining Company ordered 500 lighters emblazoned with its own corporate brand. Kendall was the first entity to commission Zippos with special livery, and many, many other companies would follow.

A USS Cole Zippo lighter with a brass finish, offered with a WWI-era Bowers trench lighter, sold for $50 in September 2013. Image courtesy of Affiliated Auctions and LiveAuctioneers

During World War II, Zippo suspended civilian sales and produced lighters strictly for the military. The company lacked an official government contract, but regardless, Zippo lighters became the go-to flame-generator for soldiers, sailors and Marines who received mini-packs of cigarettes along with their K-rations. They carried their Zippos from battle to battle and kept them after the war ended. 

Most Zippos that were in use during WWII had black, crackle-finish steel cases. Soldiers believed this detail muffled the noise produced by striking, which in turn helped them keep a low profile during military maneuvers. But the company insists that the case style was chosen for mundane business reasons. Like the scrimshanders of centuries ago, bored trench-bound troops transformed the black cases into canvases, scratching all manner of designs, initials and battle dates into them with any sharp object at hand. Not surprisingly, collectors place a high value on such personalized Zippos.

WWII delivered priceless and lasting benefits to the Zippo company. Hundreds of thousands of teenagers and young men carried its lighters during the most daunting experience of their lives, and depended on them to deliver the nicotine that calmed their nerves in literal life-or-death situations. It’s a sad commentary, but about half of all Americans were routine tobacco smokers in 1945. 

A circa-1960s Zippo Corinthian tabletop lighter rose to $175 plus the buyer’s premium in December 2015. Image courtesy of Clars Auction Gallery and LiveAuctioneers

In the 1950s, Zippo offered its custom-designed lighters in a range of formats, including a series of stand-alone tabletop versions with upscale names such as the Barcroft, Lady Bradford, Moderne, Corinthian, Handilite and the Lady Barbara. A handsome teal green circa-1960s Zippo Corinthian table top lighter sold for $175 plus the buyer’s premium in December 2015 at Clars Auction Gallery. 

Another innovation arrived in 1956 when Zippo unveiled the Slim design, which was smaller, thinner and sleekly polished, with rounded corners that fit easily into pockets and rolled up t-shirts. 

A circa-1950s Zippo lighter commissioned by Buffalo Bob Smith and given to a ‘Howdy Doody’ crew member sold for $454 in February 2021. Image courtesy of Hake’s and LiveAuctioneers

Custom-made Zippos, commissioned as gifts to celebrate anniversaries, retirements and similar milestones, or to create a bond amongst team members, alumni or coworkers, took off. A standout example is a circa-1950s brush-finish Zippo lighter given by “Buffalo” Bob Smith to members of the crew who filmed the Howdy Doody TV show. One that featured a camera and the name “Larry” sold for $454 at Hake’s in February 2021. The very idea that a Zippo cigarette lighter would be in any way associated with the country’s most popular children’s show seems unimaginable today, but that’s how widespread smoking was in the postwar years. 

A circa-1950s Zippo lighter owned by John F. Kennedy, depicting the ‘U.S.S. Joseph P. Kennedy, Jr.,’ which was named for the president’s older brother, realized $1,500 plus the buyer’s premium in July 2018. Image courtesy of Potter & Potter and LiveAuctioneers

Even the highest of high-profile individuals are known to have carried Zippo lighters. One of the most notable was President John F. Kennedy, who took his tobacco strictly in the form of a cigar. A personally owned Kennedy Zippo, decorated with the image of the destroyer named for his older brother, Joseph P. Kennedy, Jr., sold in July 2018 for $1,500 plus the buyer’s premium at Potter & Potter Auctions. JFK also commissioned Zippos, as evidenced by a chrome example commemorating his June 1963 trip to Europe. Kennedy gave the lighter, which is emblazoned with the Presidential Seal, to his longtime friend and aide Dave Powers. It was offered with its original box at a February 2013 sale at John McInnis Auctioneers, where it made $4,500 plus the buyer’s premium.

A chrome Zippo lighter that President Kennedy commissioned for a June 1963 European trip and gave to longtime aide Dave Powers achieved $4,500 plus the buyer’s premium in February 2013. Image courtesy of John McInnis Auctioneers, LLC and LiveAuctioneers

Another Zippo commission came from John Wayne, who had lighters made as gifts for crew members on the 1968 film The Green Berets. Each lighter featured the movie’s name and a likeness of the military hat on the front, and a whimsical inscription on the back that read, in part, STOLEN FROM JOHN WAYNE. An example from the estate of one of Wayne’s friends, Chuck Iverson, sold in July 2012 for $900 plus the buyer’s premium at Profiles in History.

The cultural reach of the Zippo inevitably caught the attention of top luxury goods retailers. Tiffany & Co., created a 14K gold rendition with a vertically ribbed design, subsequently offered at Fortuna Auction in November 2017, where it realized $950 plus the buyer’s premium. An 18K gold Zippo by Buccellati, graced with brushed crosshatched engraving, achieved $2,750 plus the buyer’s premium in March 2018 at Alex Cooper.

A circa-1968 Zippo lighter commissioned by John Wayne for the crew of ‘The Green Berets,’ with the name of the film on the front and the words ‘STOLEN FROM JOHN WAYNE’ on the back, sold for $900 plus the buyer’s premium in July 2012. Image courtesy of Profiles in History and LiveAuctioneers

Spotting a genuine Zippo is relatively straightforward. Just turn it upside down. Those made between 1933 and 1955 feature an unadorned block letter logo stamped on the bottom of the case. A fancy-script logo design prevailed from 1955 until the late 1970s, when it was changed to the version seen today.

Every Zippo lighter made since 1955 also has a date code that specifies when it was made (those produced before 1955 are identified by their stamped logo design). The Zippo company is still going strong, and a page on its official website, www.zippo.com, helps collectors decipher the codes shown on their products, both vintage and new. Also standing ready to assist are Zippo collector clubs, many of which are active on social media. The Zippo/Case Museum, a 15,000-square-foot facility in Bradford, Pennsylvania, that also houses a repair clinic and a store, is normally open seven days a week.

As much more has become known about the connection between smoking and serious illnesses, the number of active smokers has dwindled dramatically. Now, only around 16% of the American population are smokers. But the habit of acquiring vintage Zippo lighters has continued, joining the many other collectibles categories that are associated with taboos of a less-enlightened era.

Cutting-edge contemporary artists defy tradition in Jan. 19 auction

On Wednesday, January 19, starting at 6 pm Eastern time, Jasper52 will present a tightly-curated sale of Cutting Edge Contemporary Art. Fewer than 80 lots were chosen for inclusion, and they include photographs, paintings, works on paper and other pieces by established and emerging artists such as Kwame Brathwaite, Elliott Erwitt, Lily van der Stokker, Hiroji Kubota, Inge Morath, Tina Barney, Burt Glinn, Gillian Laub, Richard Bosman, Yael Martinez, Jack Savitsky, Emin Ozmen, Klara Liden, Justine Kurland, Stephen Shore, Renee Green, Mary Ellen Mark, Laurie Simmons, Joel Meyerowitz, Vik Muniz, Richard Misrach, Sigmar Polke, Torbjorn Rodland, Herbert List, Carl de Keyzer, Steve McCurry, Lyle Ashton Harris, Andro Wekua, Antoine D’ Agata, Nick Relph, Matt Ducklo, Thomas Hoepker, Daido Moriyama, David Benjamin Sherry and Bob Gruen, among others.

Elliot Erwitt, ‘NYC USA,’ est. $300-$500

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Jasper52 showcases Americana, Folk Art & Outsider Art Jan. 20

On Thursday, January 20, starting at 6 pm Eastern time, Jasper52 will conduct a sale of Americana, Folk Art and Outsider Art. It features more than 600 lots, curated with care, as always, by Clifford Wallach, a noted expert on tramp art, folk art and Americana. Selections include a pair of circa-1770 Dutch delft tobacco jars; an 18th-century New Hampshire School Chippendale cherrywood chest; a pair of mid-18th-century English brass candlesticks; a range of quilts, led by a circa-1850s princess feather quilt with a swag border; paintings and engravings; trade signs; daguerreotypes; an early 16th century alms dish, its bowl decorated with the image of an angel; folk art wood carvings; antique toys, many by Hubley; a Black Forest bear carving that functions as a whip holder; a circa-1900 tramp art box decorated with doves, hearts and horseshoes; needlework samplers, including an 1826 example from Philadelphia; alabaster stone fruits; an articulated felt rabbit doll; and an Art Nouveau Bohemian glass bowl decorated with cobalt and silver overlay.

Circa-1850s princess feather quilt, est. $1,200-$1,500

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No mystery to the appeal of Egyptian Revival style

Gold, amethyst, demantoid garnet, and enamel brooch, 1¼ × 1⅛ inches,
Theodore B. Starr, stamped, NY, NY, circa 1900, gift of Jacqueline Loewe Fowler, 2013. Image in public domain, courtesy metmuseum.org

Egyptian Revival, a European artistic style dating from the early 19th century, was inspired by Napoleon’s conquest of Ottoman Egypt and Admiral Nelson’s Battle of the Nile. As volumes documenting Egyptian architecture, antiquities and natural history appeared, with sketches of the Near East’s exotic sights and mysterious symbols, the West’s fascination with this ancient culture grew. Egyptomania, obsession with Egyptian antiquities, increased further in 1820, when translation of the Rosetta Stone led to deciphering ancient hieroglyphics – opening another window into the art and culture of that fascinating world. 

Initially, grand Egyptian-inspired sculptures and architectural elements arose in Paris and London. Toward the end of the century, however, stylized Egyptian motifs embellished a variety of functional and ornamental objects, as well.  

Red stoneware Wedgewood teapots and underplates, for example, often depicted images of winged sphinxes, crocodiles and canopic jars. Silverplated pots bore curlicued, engraved cartouches, elegantly draped plinths, or images of sacred ibis birds which represented rebirth. 

Pairs of tall, tapering marble, slate, or onyx obelisks depicted graceful palm fronds, trumpeted flowers, medallions, sphinxes, and hieroglyphics, in addition to images of scarab beetles, which the Egyptians associated with the life-giving sun. Smaller obelisks often flanked marble and bronze clock garnitures – three-piece, matched sets designed for mantlepieces. Highly stylized settees, armchairs, desks, tables, and sarcophagus-shaped caskets often bore images that could be seen in Egyptian tomb paintings.  

Armchair and sidechair, rosewood with prickly juniper veneer, 37 x 27½ x 27½ inches, attributed to Pottier and Stymus, New York City, circa 1870-75. Image in public domain, courtesy metmuseum.org

 

After the American Civil War and the inauguration of the Suez Canal (1869), exotic, Egyptian-style furniture also charmed Americans. Their hand-carved cabinets, credenzas, sideboards, and “parlor suites” often featured gold-painted cuffs and collars along with carved or bronze-mounted lion masks, sphinxes, ceremonial headdresses, or palm-frond details. Most surviving post-Civil War-era pieces are associated with the famed furniture design company, Pottier and Stymus. Their opulent rosewood armchair with prickly juniper veneer, for example, featured gilt-brass sphinxes and nailed-bead moldings, along with an abundance of gilt-engraved accents and painted medallions. 

Egyptian Revival garniture set featuring slate/marble clock and marble pillars, marked with Japy Freres seal, circa 1880s, France, clock 17 x 16 inches, pillars 20 x 6½ inches. Sold for $1,400+ buyer’s premium in 2021. Image courtesy Akiba Antiques and LiveAuctioneers

 

By the turn of the century, Tiffany & Co., was marketing a number of Egyptian Revival decorative objects, including clock garnitures, glass powder containers coiled with gold-wash sterling snakes, and gold-wash coffee spoons featuring bright, striped Egypt-evocative enamel detail. Additionally, Tiffany adorned some of their simple bronze candelabras with images of ibises and lotus flowers, symbolizing creation and rebirth. 

Other pieces of the period – like Theodore B. Starr’s gold and enamel brooch depicting an Egyptian-clad figure playing a falcon-headed amethyst-scarab harp above a coiled-snake plinth – spared no expense with their luxurious details.

Archaeologist Howard Carter’s discovery of King Tutankhamun’s treasure-filled tomb in 1922, which was celebrated in newspapers, newsreels and on the silver screen, sparked a renewed interest in Egyptomania. Over time, Ancient Egypt’s ancient motifs and symbols permeated all aspects of modern culture, including architecture, theater, literature, and the decorative arts. Bookends, vases, jardinières, andirons, busts, and finely embroidered tapestries depicted an abundance of Egyptian motifs. Fashionistas of the day caught the Egyptian Revival bug and often carried lustrous, Egyptian-motif celluloid or micro-beaded evening bags. 

Egyptian-themed woven tapestry featuring gilt metal thread, approximately 46½ wide x 48 inches long, 1920s. Sold for $325 + buyer’s premium in 2017. Image courtesy of Blackwell Auctions and LiveAuctioneers

Egyptian Revival design also became an integral aspect of Art Deco, a sleek, geometric style melding ingenuity and fine artistry with precious materials. As a result, gleaming gilt images of pharaohs, royal headdresses, winged sphinxes, and pyramids adorned wall plaques, perfume bottles, belt buckles, lamp bases, cigarette cases, and sconces. 

In addition, fine jewelers, including Tiffany, Cartier, and Van Cleef & Arpels, created Egyptian Revival bracelets, beaded bib necklaces, earrings, rings, pendants, bar pins and hatpins. Many bore gilded mummy, sphinx, snake, hieroglyphic, pyramid or plump, rounded scarab motifs. 

Art Deco Egyptian Revival moonstone and diamond scarab brooch, France, wings set with buff-top onyx, with various old-cut European diamonds, platinum mount, 1 7/8 inches, guarantee stamps. Sold for $9,500 + buyer’s premium in 2021. Image courtesy Skinner and LiveAuctioneers

Art Deco winged scarab brooches resembling beetles in flight were, perhaps, the most popular of all jewelry designs. Simple gold or silver models often featured carved hardstone “bodies” with delicate, stylized champlevé or plique-à-jour wings. Exquisite beauties featuring moonstone and onyx bodies tipped with old European-, rose-, baguette- or fancy-cut European diamond wings were the most extravagant creations of the period. Those now-classic creations, which are favorites in auction rooms worldwide, shimmer like their inspiration: the sun.

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Animation cels from classic productions featured in Jan. 23 auction

On Sunday, January 23, starting at 6 pm Eastern time, Jasper52 will present a sale titled Animation Cels 1930s-1990s, which will feature 120 lots of original production cels as well as limited-edition cels, drawings, wire sculptures and other relevant items. The lineup is guaranteed to have you reliving part of your childhood, or that of your children or grandchildren.

Lots on offer are drawn from vintage and modern classics such as Nickelodeon’s Rugrats, Ren & Stimpy, and Rocko’s Modern Life; MTV stalwarts Beavis and Butthead and Aeon Flux; Hanna Barbera favorites including The Jetsons and The Flintstones; examples from beloved characters and films such as the Pink Panther, Animalympics, Cool World, and the Peanuts gang; Disney productions ranging from Bambi, Lady and the Tramp, 101 Dalmations, The Jungle Book, and Fantasia; and the stars of Warner Brothers’ Looney Tunes series, among others.

Original production cel from ‘Lady and the Tramp,’ est. $2,000-$2,500

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Learn more about the auction on Auction Central News.