Tag Archive for: asian art

7 Woodblock Prints Where the Beauty of Japan Shines Through

The landscapes, traditions and customs of 19th and 20th century Japan are depicted in this stunning collection of Japanese woodblock prints. Whether capturing the serenity of a temple or a moonlit seashore, these images exemplify both fine art and elegant decoration. With many renowned Japanese artists featured in this auction, the true beauty of Japanese landscape and culture shine through, most especially in these 7 prints below:

‘Beauties by River before Cherry Blossoms’ by Kitigawa Utamaro

Kitigawa Utamaro (1753-1806) was one of the most highly regarded practitioners of the ukiyo-e genre of woodblock prints, especially for his portraits of beautiful women, or bijin-ga.

Kitigawa Utamaro, ‘Beauties by River before Cherry Blossoms,’ 1800, Oban design, 10 x 15.5 inches. Estimate: $1,500-$2,000

Kitigawa Utamaro, ‘Beauties by River before Cherry Blossoms,’ 1800, Oban design, 10 x 15.5 inches. Estimate: $1,500-$2,000

 

‘Ogiya Yugiri, Fujiya Izaemon’ by Kitigawa Utamaro

Another highly regarded woodblock print by Kitigawa Utamaro titled Yugiri of the Ogiya and Fujiya Izaemon (Ogiya Yugiri, Fujiya Izaemon) comes from his series ‘The True Feelings Compared.’

Kitigawa Utamaro, ‘ Yugiri of the Ogiya and Fujiya Izaemon (Ogiya Yugiri, Fujiya Izaemon),’ 1798-1800, 9.5 x 14.75 inches. Estimate: $3,500-$4,000

Kitigawa Utamaro, ‘ Yugiri of the Ogiya and Fujiya Izaemon (Ogiya Yugiri, Fujiya Izaemon),’ 1798-1800, 9.5 x 14.75 inches. Estimate: $3,500-$4,000

 

‘Rain’ by Torii Kotondo

Also known for depicting beautiful women – only two centuries later – was Torii Kotondo (1900-1976). He was specially trained in the tradition of kabuki actor portraits, and translated this training into his famous portraits of women.

Torii Kotondo, ‘Rain,’ 1930, 11.75 x 18 inches, published by Sakai and Kawaguchi with first edition seal, numbered 104/200, embossed title in bottom margin. Estimate: $6,000-$8,000

Torii Kotondo, ‘Rain,’ 1930, 11.75 x 18 inches, published by Sakai and Kawaguchi with first edition seal, numbered 104/200, embossed title in bottom margin. Estimate: $6,000-$8,000

 

‘Snow at Pond’s Edge’ by Hasui Kawase

Another leading artist in the auction is Hasui Kawase (1883-1957) who became a prominent figure in the shin-hanga (“new prints”) movement of the early 20th century. This movement was influenced by European Impressionism and its imagery focused on landscapes, women, and nature.

Hasui Kawase, ‘Snow at Pond’s Edge,’ 1920, published by Watanabe from the series Mitsubishi Villa at Fukugawa, pre-earthquake edition. Estimate: $5,000-$6,500

Hasui Kawase, ‘Snow at Pond’s Edge,’ 1920, published by Watanabe from the series Mitsubishi Villa at Fukugawa, pre-earthquake edition. Estimate: $5,000-$6,500

 

‘Evening Snow at Ishonomaki’ by Kawase Hasui

One of the most prominent print designers of the shin-hanga movement was Kawase Hasui (1883-1957), whose series “Collected Views of Japan” is represented in the auction.

Kawase Hasui, ‘Evening Snow at Ishonomaki (Ishinomaki no bosetsu),’ 1935, Oban design 10 x 15.5 inches. Estimate: $2,800-$3,200

Kawase Hasui, ‘Evening Snow at Ishonomaki (Ishinomaki no bosetsu),’ 1935, Oban design 10 x 15.5 inches. Estimate: $2,800-$3,200

 

‘Cherry Blossoms’ by Toshi Yoshida

Toshi Yoshida (1911-1995) was a Japanese printmaking artist associated with the sosaku-hanga movement, the avant-garde movement of the 1950s-1970s. His woodblock print titled Cherry Blossoms may present an affordable approach to this field of art collecting.

Toshi Yoshida, ‘Cherry Blossoms,’ Oban. Estimate: $150-$200

Toshi Yoshida, ‘Cherry Blossoms,’ Oban. Estimate: $150-$200

 

‘Pagoda in Sunset’ by Ido Masao

Ido Masao is a contemporary Japanese printmaker known for his powerful images of Japanese subjects, including gardens, views of landmarks, theater, and Japanese villages. In this Pagoda in Sunset print from 1980, Masao highlights the beauty of a typical Japanese scene.

Ido Masao, 'Pagoda in Sunset,' 1980. Estimate: $150-$200

Ido Masao, ‘Pagoda in Sunset,’ 1980. Estimate: $150-$200

Don’t miss out on this stunning selection – view the fully illustrated catalog and bid on LiveAuctioneers.

13 Japanese Woodblock Prints To Prepare for Winter

Whether we’re ready for it or not, winter is coming. To prepare ourselves for the upcoming chilly season, we’ve collected a group of gorgeous winter scenes in selected Japanese prints.

“In much the same way that the Japanese go out in springtime to admire the cherry blossoms, the beauty of snow invites people to come out and admire the winter season,” according to Dieuwke Eijer, Japanese print expert. Further, “Images of cold winter, as indicated by snow scenes, invoke on the one hand feelings of melancholy, and on the other good feelings of bowls of hot noodles, and other typical winter sweet and delicacies.”

Hiroshige alone made over 1500 different winter scenes. The works incorporate a juxtaposition of the hardships endured by mid-19th century workers and travelers and the serenity of a snow-covered landscape. Despite the palpable discomfort of the situations portrayed, there is always an element of beauty visible.”

These 13 prints below highlight the natural beauty of the upcoming winter season. Bundle up and enjoy.

“Kyoto in Snow” by Ito Yuhan

Kyoto in Snow by artist Ito Yuhan, 1930s. Sold for $425

Kyoto in Snow by artist Ito Yuhan, 1930s. Sold for $425

 

“Kiso Gorge in Snow” by Hiroshige

Kiso Gorge in Snow Triptych by Hiroshige, 1857. Estimate: $400-$500

Kiso Gorge in Snow Triptych by Hiroshige, 1857. Sold for $340

 

“Falling in Snow” by Hirokage

Falling in Snow by artist Utagawa Hirokage, 1860. Estimate: $200-$300

Falling in Snow by artist Utagawa Hirokage, 1860. Estimate: $200-$300

 

“Snow at Shiba Daimon” by Hasui Kawase

Snow at Shiba Daimon by artist Hasui Kawase, 1936. Published posthumously by Watanabe. Sold for $280

Snow at Shiba Daimon by artist Hasui Kawase, 1936. Published posthumously by Watanabe. Sold for $280

 

“Mt Fuji in Snow” by Tomikichiro Tokuriki

Mt. Fuji in Snow by artist Tomikichiro Tokuriki, 1939. No. 16 from the series The Thirty-Six Views of Mount Fuji. Estimate: $100-$200

Mt. Fuji in Snow by artist Tomikichiro Tokuriki, 1939. No. 16 from the series The Thirty-Six Views of Mount Fuji

 

“Winter Landscape with Crows” by Yamamoto Shoun

Winter Landscape with Crows by artist Yamamoto Shoun, 1900-1910. Sold for $160

Winter Landscape with Crows by artist Yamamoto Shoun, 1900-1910. Sold for $160

 

“Mallard in Snow” by Ohara Koson

Mallard in Snow by Ohara Koson, 1910

Mallard in Snow by Ohara Koson, 1910. Sold for $110

 

“Snow at Nezu Shrine” by Koitsu Tsuchiya

Snow at Nezu Shrine by artist Koitsu Tsuchiya, 1950-1963. Yokoi/Harada seal, Early Edition published by Doi. Sold for $260

Snow at Nezu Shrine by artist Koitsu Tsuchiya, 1950-1963. Yokoi/Harada seal, Early Edition published by Doi. Sold for $260

 

“Imperial Palace in Snow” by Eiichi Kotozuka

Imperial Palace in Snow by artist Eiichi Kotozuka, 1950. Sold for $85

Imperial Palace in Snow by artist Eiichi Kotozuka, 1950. Sold for $85

 

“Itsukushima Shrine in Inland Sea” by Hasui Kawase

Tyobu-Torii of Itsukushima Shrine in Inland Sea by Hasui Kawase, 1936. Published by Watanabe for the book "Shinto and its Architecture"

Tyobu-Torii of Itsukushima Shrine in Inland Sea by Hasui Kawase, 1936. Published by Watanabe for the book “Shinto and its Architecture.” Sold for $100

 

“Sawatari in Joshu District” by Takahashi Shotei

Sawatari in Joshu District by Takahashi Shotei, 1936. Sold for $150

Sawatari in Joshu District by Takahashi Shotei, 1936. Sold for $150

 

“Honganji Temple in Snow” by Kotozuka Hiichi

Honganji Temple in Snow by artist Kotozuka Hiichi, 1950s. Sold for $180

Honganji Temple in Snow by artist Kotozuka Hiichi, 1950s. Sold for $180

 

“Hazy Moon on a Snowy Night” by Takahashi Shotei

Hazy Moon on a Snowy Night by Takahashi Shotei, 1936. Sold for $360

Hazy Moon on a Snowy Night by Takahashi Shotei, 1936. Sold for $360

Find a wintery Japanese woodblock print for your collection in this week’s Jasper52 auction

The Complete History of Snuff Bottles

The snuff bottle is a marriage of craftsmanship and artistry that evolved in ancient China and Mongolia. Even with a practical purpose in mind, these functional items quite often feature detailed and elegant designs that artfully reflect their cultural origin.

Painted White Agate Snuff Bottle, Est. $100-$200, Nov. 6 Jasper52 Sale

Painted White Agate Snuff Bottle, Est. $100-$200, Nov. 6 Jasper52 Sale

The origin of snuff’s arrival in China is a topic of debate. According to some historians and historical records, members of China’s imperial families and social elite were introduced to snuff by European missionaries and merchants. This reportedly occurred during the Ming Dynasty (1368-1644). Other reports say that snuff made its way to China by way of Japan.

The popularity of snuff — tobacco leaves finely ground and infused with herbs and spices — grew rapidly in China during the Qing Dynasty (1644-1911). As more people discovered the stimulating and relaxing effects of snuff, as well as its ability to “cure” aches and pains, colds, and digestive issues, efforts to create snuff containers began. Chinese and Mongolian craftsmen began developing the diminutive bottles, with a cork affixed to the stopper in order to ensure the snuff remained fresh.

By the middle of the Qing Dynasty, the use of snuff and snuff bottles had spread throughout China and into nearly every aspect of society. The bottles were appreciated not only as a means for carrying and accessing snuff anywhere, but also for their artistry and decorative appeal, according to an article by Zhixin Jason Sun, curator, Department of Asian Art at The Metropolitan Museum of Art.

Painted White Agate Snuff Bottles, Est. $100-$200, Nov. 7 Jasper52 Sale

Painted White Agate Snuff Bottles, Est. $100-$200, Nov. 7 Jasper52 Sale

While early snuff bottles were made from a variety of materials, glass and variations of glass with artistic elements were by far the most popular. In fact, in an article appearing on The Cultural Concept Circle, it is reported that Emperor Kangxi established a central glass workshop early in the Qing Dynasty with snuff bottles as one of the primary products. During the Qing Dynasty, snuff bottles were produced primarily in six regions: Guangzhou, Beijing, Boshan, Inner Mongolia, Liaoning Province, and Tibet. The area of Liaoning was best known for producing agate snuff bottles.

The most popular types of glass snuff bottles include:

  • Reverse-painted-on-glass: Largely said to have become popular in the middle of the Qing Dynasty, they are still created by artisans today. The bottles are decorated with paintings and often include calligraphy on the inside. Scholars were among the first to create this type of snuff bottle, accessing the polished “canvas” of glass through the mouth of the bottle, then carefully painting the scene.
  • Overlay-on-glass, also referred to as Peking glass: This type of snuff bottle is created when an artisan uses a singular color of glass as the base, then adds layers of contrasting colored glass. After the layers have been added, the artist carves a design. In do doing, each of the layers of glass is revealed, according to an article posted on the Scanlan Fine Arts Gallery website.
  • Agate: This type of stone was first utilized in snuff bottles by artisans living in Beijing. In a Collectors Weekly article by snuff bottle expert Vincent Fausone Jr., the author explains that winter temperatures in Beijing could drop considerably, and in that climate, glass bottles could shatter. This led to the use of stone, especially agate.
  • Enameled: Antique enameled snuff bottles are miniature works of art that required a high level of workmanship on the part of the artisan creating them. The temperature had to be very carefully monitored as the enamel was applied, Fausone Jr. explained, adding that craftsmen in ancient China learned the enameling technique from European Jesuits.

It was common for the palm-sized masterpieces known as snuff bottles to be capped with a piece of jade. The jade would be attached to the cork stopper, which in many cases had a small spoon fastened to it. The spoon was used to assist in sniffing the snuff.

  • Jade: In addition to serving as the material from which many snuff bottle caps were made, jade was also used as a primary material for the bottles themselves. Over the centuries, Chinese leaders have viewed jade with reverence. During the Han Dynasty, Xu Shen extolled the five virtues of jade: benevolence, honesty, wisdom, integrity and bravery.
Jade Snuff Bottle, Est. $10-$200, Nov. 7 Jasper52 Sale

Jade Snuff Bottle, Est. $10-$200, Nov. 7 Jasper52 Sale

Just as snuff bottles were appreciated for their beauty and cultural significance during the Qing Dynasty, they continue to be held in high regard by collectors, historians and designers alike. Small in stature, diverse in composition and artistry; and varied in cost, they comprise an endless collecting field to explore and enjoy.

 

View the exceptional snuff bottles in this week’s Asian Antiques Jasper52 auction.


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